I later erased the fishing line in Photoshop.Ĭhloe is smiling because everyone in the room, Devil included, broke out into spontaneous applause over her fantastic performance. We used fishing line to puppet the tail into position. I made the pointed tip of the tail out of cardboard, gaff tape, latex, and paint.
I removed the head and spray painted the body red.
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I wrapped Bob’s waist in the same shiny red fabric that we used to line the crack of Hell. I used the fog machine to hide the fact that Bob’s make-up job did not extend below his waist. I bought prosthetic appliances for the horns, ears, and the bony nubs on his spine. I wanted him to look like a child’s drawing come to life. I wanted my Devil to be fire-engine red, with horns, long pointy ears, and an arrowhead tail. The angel drawing taped to the wall was made by my daughter Sade. Most of the toys belonged to me and my sisters as kids. We nailed and taped the rectangles together into a position that would match the jagged contours of the crack. To line the inside of the crack, we cut out separate cardboard rectangles and covered them with shiny red fabric. I drew out the shape of the crack on the carpet with a Sharpie pen, and then cut out the crack in the floor with a jigsaw, carpet and all. Demian and Matt also worked as production assistants during the actual shoot. I met Damien through the Kansas City Horror Club. My friends Damien Vela and Matt Tady helped with all of the carpentry. My friend Jason Coale acted as supervisor.
I constructed a set with a floor that was raised three feet off of the ground. This was Bob Barber’s first photo shoot with me. The Devil is a boogeyman we are taught in church.īob Barber played the Devil. This image is about religious fear in children.
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